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Maddin's core group of friends from this period, who played various roles in the production of his early film projects, were known as "the Drones" and included John Harvie, Ian Handford, and Kyle Mc Culloch (now a writer for South Park).

Maddin joined the Winnipeg Film Group around this time, and also became friends with producer Greg Klymkiw, with whom he began making a cable access television show (c. Survival was a satirical talk show centred around, as its opening credits noted, how "we must survive the inevitable social/economic collapse and/or nuclear holocaust." The show became a cult hit in Winnipeg and excerpts were re-released on the compilation DVD Winnipeg Babysitter.

They were low budget, they used nonactors or nonstars, they used atmospheres and ideas, and were unbelievably honest, frank, and, therefore, exciting to me.

This post can also be found permanently on my Birdland page.

Critics routinely cite, as an example of Maddin's dream-like tone, the climactic scene of the film, where the son attempts to resolve his relationship with his dead father by uncovering his corpse (hidden to sleep at night in some nearby brush) and attempting to devour his father using a large spoon—since the dead father awakens, the son cannot finish eating him and must instead pack his body away into a trunk in the family's attic.

Although Maddin did not feel that the film's initial, Winnipeg premiere had gone well, John Paizs convinced him to submit the film to the Toronto Film Festival and the festival accepted the film.

The nest is situated high atop the Mc Kenzie Seeds Building in downtown Brandon.

There are two tabs along the top of the image, one for Winnipeg nest, one for Brandon nest.

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