Dating a japanese fender stratocaster

More successful that year was the follow-up to the best-selling guitar of the previous two years, which was Fender's Mexico-built Tom De Longe Stratocaster model.

Squier introduced its version of Blink 182 frontman Delonge's signature guitar, which featured a more familiar Fender approach with its '70s style Stratocaster design, plus a single Duncan Designed™ Detonator humbucking pickup and single volume knob.

Figured-top Deluxe models and black-and-chrome Standard Series models were launched, along with two Telecaster Custom models that became part of the new Vintage Modified family.

Squier scored big hits in 2004 with the upgraded Jagmaster II and the popular Squier '51, a value-priced instrument with unique looks—a very cool melting pot of vintage and modern features that combined '51 Precision Bass cosmetics, Stratocaster body shape and a tinted Telecaster neck.

Higher-end options such as transparent finishes on ash bodies and gold hardware began to drive Squier prices up and elevate the brand perhaps a bit too close to Fender and Fender Japan during this brief era.S.-bound Squier models were given '70s features and touted as the first instruments ever "officially authorized" to borrow from Fender's classic designs.The series included Stratocaster, Telecaster and Precision bass models, and three Bullet® models—affordable entry-level instruments combining Stratocaster-style body shapes with Telecaster necks in triple-single-coil or dual-humbucking pickup versions, plus a split-pickup bass with a Telecaster-style headstock. The Squier Standard Series, introduced in the mid-1980s, was based on the original vintage models, but with more up-to-date features (likely mirroring design evolution and standardization at big brother Fender).The dawn of the new millennium saw Squier dabbling once again in areas perhaps better left to others, with several products designed to appeal to and accommodate more aggressive playing styles.The Squier Showmaster Series, much like the HM Series of the 1980s, featured non-pickguard guitars with locking tremolos, multiple humbucking pickup configurations, black hardware and reverse headstock designs.The promise of a new, revitalized Fender dawned in the early 1980s as the dismal CBS era wound down, and concerned Fender officials noted the abundance of Japanese guitar makers who were blatantly copying—in some cases cloning—original vintage Fender designs with great accuracy and low costs, albeit with some occasionally bizarre details.In one particularly galling instance, for example, one manufacturer used headstock logos closely resembling those of original pre-CBS Fender guitars, but using the words "Tokai" (with a large backward uncrossed "F"), "Springy Sound" instead of "Stratocaster," "Breezy Sound" instead of "Telecaster," "Oldies but Goldies" instead of "Original Contour Body" and —the last straw— "This is the exact replica of the good old Strat" instead of "Fender Musical Instruments" in small print below the main logo. Fender acted by setting up its own official Japanese manufacturing operation, Fender Japan, in March 1982. S.-Japanese venture, Fender Japan produced guitars with material and technical support from Fender's U. facilities; Japanese manufacturing facilities even included factories that had been producing the aforementioned Fender copies.Non-traditional Squier Vista Series instruments were also introduced in this period.Some Vista models, such as the Super-Sonic, Venus and Venus XII, were innovative designs with no clear Fender predecessors; others combined Fender features from different models into all-new creations such as the Jagmaster, which remains a solid Squier performer to this day.These early Squier JV models were produced until late 1984 and are highly sought after among collectors today for their quality and relative scarcity.Soon after their introduction, a new and larger Squier logo appeared, accompanied by the now-familiar "by Fender" logo.

Leave a Reply

Your email address will not be published. Required fields are marked *

One thought on “dating a japanese fender stratocaster”